March 30, 2026

The Crofter's Daughter / The History Teacher's Tobacco Pouch by Robert Nisbet

The Crofter’s Daughter

The teacher, plump, his jacket sad

with pipe smoke, brings her to the class.

I’d like us to welcome our little Hebridean.

It’s kindly meant. Indeed the class,

eleven years old themselves, are kind enough.

But there are so many, just so many children,

hundreds, a thousand, in that steel town school.

Passing from bell to bell, from week to week,

she likes learning Welsh, likes the crafts, 

but she puzzles over rugby and the steel town’s lust

for such a muddy, heavy game. In Cornaig School,

they’d played rounders, twenty of them. 

And then her mind rushes to the island,

where the white sandy machair spread

down the furlong from their farmyard

to the beach. They had dogs with island names,

Jura, Tobermory. And she’d be milking in the byre

before she went to school. 

                                          Now the steel town

and a couple of years’ unrecognised damnation.

 

 



The History Teacher’s Tobacco Pouch

 

He’d spread a plump tobacco pouch

before him, lunch times, at bridge,

rubbing out the warm brown curls

of Erinmore, letting float a light 

Virginian scent, then tamping,

tamping down, pressing the orange

threads to service in the deep and blackened

bowl of his meerschaum. He liked

breast pocket handkerchiefs, ensigns

of red and purple, tilting oddly

askew by morning break. His nail file

would fire puffs of dust from his

pink, scrubbed nails. Only when the

lunch time bivouac had ended, would

he return to what he knew was always

there: the classroom door, the cruelty. 

 


* Both poems appeared in Roundyhouse in 2012.





Robert Nisbet is from Wales, a former high school English teacher and college creative writing tutor who has been published widely in the USA, where he has four Pushcart Prize nominations, and in Britain, where his collection, In a Small County, has just been published by Seventh Quarry Press.

March 29, 2026

Mortals / Meditation by Catherine Zickgraf

Mortals

You can see Jupiter above the trees,
a clean spark beside our swollen moon. 
They’ll remain when we’re forgotten.  
There’s grandeur in this view of life. 
We’re small under the quilt of sky,
just mortals in the backyard weeds
on a rock rounding its ancient orbit.  
 
Meditation 
Sometimes you write at the riverbank, 
and your words stretch wings,
slip wind, glide away.
So you let them go with joy. 
Sometimes you hold ideas in the depths
until they grow rosettes 
feeding honeybees, then blow away 
like seeds when it’s time.
Deep in the caves, you trace back 
groundwater still carving out the chalk rock. 
And with the breath of candlelight
you move through the darkness
and the humid chill of earth’s stone web
where the shadows echo.  
Under the outside sun, 
streams turn to lakes and estuaries.
You study the clouds that hold in the sea, 
and you see it all with your mind, not eyes.  

March 26, 2026

Soul Questions / Anxious Amble by Michael Keshigian

Soul Questions

as he walked forest trails

on a summer morning,

deciding it might be solid like his heart

rather than intangible like his mind.

Yet solid meant

it would eventually fail

and break apart

like the tender wings of a moth.

And if it were,

where might it be?

Could he be sure he had one?

Do others?

The fawn that crosses his path

then scampers in fright,

had the face of a child

confronting a stranger.

The black crow that caws concern

amid the pines

warns his brethren.

Bears retreat into caves

for sleep and survival.

Surely, they may posses

what he cannot locate.

It might have a shape

like a mountain

or resemble the beady eye of a loon.

Why wouldn’t a fox have one

or the robin who tenders her young

so carefully?

For that matter, why wouldn’t

the trees, the shrubs, or the lady slippers

with their big pink heads?

All living things bleed when they are cut.

Perhaps the soul is liquid.



Anxious Amble

The trees, on this late summer’s eve,
coerced him into believing
they could hear his thoughts,
sense his angst as they bent over
the path upon which he strolled
while night climb slowly
down their limbs
to absorb fading shadows
that danced the trail he trespassed
as the wind whimpered a whistle.
The ample leaves flailed
and quivered their percussive timbre,
a collective voice
that seemed to answer
his queries when breezes stoked the air,
silenced when the setting sun
stifled the airstream locomotion,
mitigating nature’s delicate response.
With everything quiet, everything dark,
the remembrance of another evening’s saunter
illuminated his mind,
an evening filled with laughter,
happy hearts,
bare-feet splashing in an ocean puddle,
a romantic caress; what heavy,
hurried steps he took to keep pace
with the bright image upon him
until it too faded into the current darkness
that consumed him,
steps that eventually guided him
to the sky at path’s end,
a clouded, misty sky,
where even the stars, night’s children,
those glimmers of hope
against infinite night,
were missing as well.







Michael Keshigian has recently been published in Tipton Poetry Journal, Studio One, Spank the Carp and Jerry Jazz Musician as well as many other national and international journals.  He is the author of 14 poetry collections and has been nominated 7 times for a Pushcart prize and 3 times for Best of the Net. Michael's latest chapbook, Poems from the Sky, will be released by Cyberwit.com this month.

March 25, 2026

Saudades, 1936 by Gopal Lahiri

Silence is more musical than song in this rust-pink
house, an art deco home, the afterlife from colonial era,
the roughage of the pavement redraws the history,
in the night Mount Carmel Road unread the world.

Faded wallpaper, the lion figures, the high ceilings
invite a deep, melancholic longing inside.
The rooster in the roof and the soldat statue forge
Portuguese language, drop chaos of memories on my palm.

There is a sense now that my every nerve is sedated.
In the conjuring of light, I bow to the palm trees and
grass roots and a bunch of silver white flowers.
And I chew words that taste like slag and platelets.

I lean towards the boundary wall of Saudades
and my focus is hushed and curtained,

I watch a rose-ringed parakeet on the terrace
it flutters down; it stabs my heart and flies away.





Gopal Lahiri is a bilingual poet, critic, editor, writer and translator with 33 books published, including eight solo/jointly edited books. His poetry and prose are published across more than one hundred fifty journals and anthologies globally.  Gopal's poems are translated in 18 languages and published in 16 countries. He has been nominated for the Pushcart Prize for poetry in 2021 and Best of the Nets for poetry, 2025.

March 24, 2026

A Fistful of Mirth by Santosh Bakaya

I see a shepherd in a tattered cloak,
soaking his tired feet in a babbling brook
near his ramshackle shack.
His doting wife cooks a sparse meal for him
on a battered stove. He bursts into song,
the notes fall on every leaf, every bough.

A lone bird on an oak tree outside his shack
keeps vigil. A cinder from the furnace lights up
the cherubic face of a child lying in a frayed
patchwork crib, flailing his limbs, chuckling,
chortling, wanting to be picked up by his mother,
glowing in the muted glow of the stove.

The smug world looks on indifferently.
The father now dashes into the room,
still clinging to the song, picking up the child,
flinging him towards the ceiling,
happily humming the song with a greater vigor.

The mother gasps, but soon smiles
as the father clasps the child to his heart.

Awestruck, I watch the poorest of the poor,
not hurtling to their doom, but happy in their dearth
on the topsy-turvy earth.

The poor family has miraculously survived
another day.
On a fistful of mirth.





Santosh Bakaya, [India] PhD is an internationally acclaimed writer of 31 books cutting across genres. She has written novels, nine books of poetry, and two biographies. Santosh is a columnist, literary critic, creative writing mentor and TEDx speaker. Her TEDx talk on The Myth of Writer's Block is very popular in creative writing circles. Santosh's latest book of poetry is .AT Thirty Minutes Past One [2025].

March 22, 2026

On Being 82 by James Aitchison

A long slow arc of life —
years of existence
compressed in memory,
many — most —
lost along the way.
The most beautiful
days never die,
never quite fade.
Oblivion consumes
the bad times,
the bad memories,
while happiness
is celebrated forever.
So what does comes next?
Once I know,
I will tell you —
if I can.





James Aitchison is an Australian author and poet, very happy to have been published in the Poppy Road Review, the Australian Poetry Anthology, Quadrant, Aesthetica, Poetry for Mental Health, Literary Yard, and many more.

March 19, 2026

Shore Life / First Robin by John Grey

Shore Life 

Beyond the shore,

the Gulf is a calm in constant motion.

The waves at my feet don’t do much

but their patterns, their incessance,

cannot be denied.

On a beach of gentle waters,

my footprints stay longer,

are a slalom course around cockle and pebble,

mussel and stringy green weed.

The birds are wary but not fearful.

A skimmer skims. A turnstone overturns stones.

And the poet writes poetry.

Not in the moment,

but as a modest stroll towards some place

where his writing tools await.

First Robin

The first robin has no idea

what it means to me.

Its head is in robin world.

It's on the lookout

for a lawn with a reliable food supply.

It doesn't care

that my mood has lifted

at the sight of its dark wings,

orange breast.

So I've been snowbound all winter.

Big deal, it says.

Of course it doesn't say anything.

It barely knows I exist.

It has no understanding

of cabin fever,

temperature in the single digits,

blizzard conditions,

driveway shoveling,

and a thousand other of my winter woes.

We both have lives to get on with.

What I call Spring,

to the robin is worms.